Timișoara Palace of Culture

The Timișoara Palace of Culture (Romanian: Palatul Culturii), also known as Timișoara Opera (Romanian: Opera) or Timișoara National Theater (Romanian: Teatrul Național), is a building in Timișoara, Romania. It hosts a number of cultural institutions including the Romanian National Opera, the "Mihai Eminescu" National Theatre, the "Csiky Gergely" Hungarian State Theatre, and the German State Theatre. On 31 October 1918, the Unification of Banat and Romania was agreed upon in the Kronprinz Rudolf restaurant, located on the ground floor, by a group lead by Aurel Cosma. On 20 December 1989, during the Romanian Revolution, the Democratic Romanian Front was founded in the Palace of Culture and Timișoara was declared free from communism. The building is a historic monument of Romania, listed under LMI code TM-II-m-A-06118. It occupies the northern side of Victory Square and is one of the main landmarks of the city.

Palace of Culture in Timișoara
Palatul Culturii din Timișoara
The palace în 2014
Former namesFerencz-József szinház
General information
StatusCompleted
Architectural style
Address
Town or cityTimișoara
CountryRomania
Coordinates45.7543°N 21.2260°E / 45.7543; 21.2260
Construction started1872
Completed1875
Opened22 September 1875
Renovated1928, 1936
ClientThe joint-stock company for the Construction of the Theater, the Redoubt Hall and the Hotel in Timișoara
OwnerTimișoara City Hall
Landlord
Design and construction
ArchitectFerdinand Fellner jr. & Hermann Helmer
Architecture firmFellner & Helmer
Main contractorSzínház-, Hotel- és Vigadóépítő Rt
Renovating team
ArchitectDuiliu Marcu

Background

Theatre in Timișoara has been recorded from as far back as 1753. From 1761, plays took place at the Serbian magistrate's headquarters, on today's Gheorghe Lazăr Avenue (where the Nikolaus Lenau High School now stands), in a theatre run by Joseph Hasenhut. The auditorium had 155 seats in the stalls, 26 seats in the ground floor boxes, 26 in the boxes on the first floor, 21 in the boxes on the second floor and a balcony. A fire in 1766 destroyed the building, and it was rebuilt. Following the merging of German and Serbian magistracies in 1781, the building was used exclusively as a theatre.[1][2] The theatre building was destroyed during the siege of Timișoara of 1849 and rebuilt in 1852.[3]

Construction

The 1852 structure proved to be too small to continue hosting the theatre, so talks about constructing a new building started. At Mayor Károly Küttel's initiative, the Company for the Construction of the Theater, Redoubt Hall and Hotel in Timișoara was created in 1860, to raise funds through selling theatre boxes and accessing a bank loan. The new building would be erected inside the city walls,[4] in a place where the Barracks of the Petrovaradin Gate (also known as the Grenadiers' Barracks) were previously located.[5][6] Plans were drawn up by Ferdinand Fellner Senior's architecture firm in Vienna and were approved in 1871.[2][7][8][9][10] Fellner Sr. died the same year, and construction work began in 1872.[6][7][10] During his visit on site on 7 May 1872, Franz Joseph, the Emperor of Austria, agreed that the theater would bear his name.[11] From 1873, Ferdinand Fellner Senior's son of the same name, partnered with Hermann Helmer, oversaw construction by the Színház-, Hotel- és Vigadóépítő Rt (Theaters, Hotels and Entertainment Venues Builder Co.), which was completed in 1875.[2][6][7][9][10][12][13]

There were 900 seats in the theatre auditorium. The building also hosted the Kronprinz Rudolf hotel and the Redoubt dancing hall.[14] On the side of Rudolf street (now Alba Iulia street) was a café, a lecture hall, a bowling alley and a small club used mainly by card players. The total cost was 1,440,000 forints.[14] The building was formally opened on 22 September 1875, and the first play staged was a work by the leading Hungarian dramatist Ede Szigligeti.[14][15]

Before World War I

Theatre building in 1880

A fire broke out in the evening of 30 April 1880, destroying the theatre area. As the company that owned the building had been bankrupt for two years the city authorities purchased it for 150,000 florins and invested an additional 120,000 forints for renovation work, which closely followed original plans. The reopening took place on 12 December 1882. Slowly, the city bought all the theater boxes back from their owners.[15]

Theatre façade at the beginning of 20th century.

It was planned that four statues be installed on theatre's façade in dedicated niches around 10 meters above ground: Thalia, the muse of comedy; Melpomene, the muse of tragedy; Euterpe, the muse of lyric poetry; and Terpsichore, the muse of dance and choral music. Each of them weighed approximately 900 kg and measured almost 3 meters in height. At the building's opening the statues were missing; it is believed that they were sold for 200 guldens to Mathies Stein, who have used them to decorate his house in the Elisabethin neighborhood.[16] The statues appear in their niches in photographs dating from 1891 and later.[17]

A massive restoration project was carried out in 1890. Interior furniture was refurbished by carpenter Ferenc Gungl, the main hall was gilded by Jenő Sprang, and sculptures were repaired by Alajos Heine. The heating system was upgraded, and the toilet facilities were upgraded. An electric motor was installed for the iron front curtain, which was an innovation in itself, serving as an anti-incendiary mechanism by containing fire; at the time fires in theaters usually originated from the stage. Additionally, two water pools were built, and the roof was repaired.[18]

After World War I

The first Romanian language performance – a translation of one of Otto Ernst's works – was performed on 7 August 1919 by a group of artists from Craiova.[19]

On 31 October 1920, another fire broke out. It was more powerful than the one of 1880 and took several days to extinguish. The main building was completely destroyed. The iron front curtain could not be lowered, which fuelled theories that foul play may have been involved.[18][20]

Rebuilt façade, between 1928 and 1935

Due to the difficult circumstances in Romania in the aftermath World War I the restoration of the building dragged on. It began on 15 July 1923, when architect Duiliu Marcu was entrusted with drawing up plans.[21] King Ferdinand laid the foundation stone of the reconstruction on 12 November 1923. Marcu did not drastically alter the façade of the building, although the main entrance was widened by abandoning the three separate doors and demolishing the pillars between them and a console canopy was provided above the entrance. A half-dome was provided on the roof, covering a concrete basin containing water for firefighting purposes. The pool was separated from the main hall by a strong concrete wall.[5][7] In order to increase the capacity of the main hall, 23 rooms were taken from the former Kronprinz Rudolf hotel (at that time Hotel Ferdinand). Following the reorganization, the number of seats in the auditorium reached 982.[21] The theatre, now named the "Communal Theatre",[22] reopened on 15 January 1928 with the show "Red Roses" by Zaharia Bârsan.[2] The name "Palace of Culture" dates back to the 1930s when the building housed the Banat Museum (between 1937–1951[9]), the Academy of Fine Arts, and the Banat–Crișana Social Institute, as well as the theatre.[23]

The appearance of the façade between 1936–2003

At the beginning of the 20th century nearby buildings included Lloyd's Palace (built in 1910), Löffler's Palace (1912), palaces on the nearby "Corso"[24] and, most notably, immediately to its right, the Palace of Banatian Banks (1932).[25] All these buildings were taller than the theatre, which was the focus of the view down Ferdinand Boulevard, so it was felt necessary to update its façade. This was again entrusted to Duiliu Marcu, who raised the façade by placing a travertine-clad "triumphal arch" around the entrance and the balcony on the first floor.[5][6][26][27][28] In order to standardize the style of the façade, the windows on the sides of the arch were blocked up.[26] The cost of the change was 2.66 million lei.[28]

In the 1970s, on the corner on Mărășești and Victor Vlad Delamarina str., a building in the modern post-war style was built following a project by architect Tiberiu Selegian, which housed the theater's warehouses.[29] In 2003 the sides of the main façade regained their initial appearance[6][23] in a restoration project managed by architect Marcela Titz.[2][7][9][30]

Description

The style of Fellner & Helmer's project was historicist eclecticism, with classicist and Baroque Revival elements, a style known at the time as "Italian Renaissance".[2][7][9] The original version of the façade was characterized by the entrance with three arched openings and a sloping roof.[26] Inside, the auditorium offered about 900 seats and was decorated with caryatids.[28] The ceiling was decorated with four paintings each inscribed in a circle, made by Heinrich Schwemminger of Vienna, representing the muses Melpomene, Thalia, Eutherpe and Terpsichora.[31]

After the fire of 1920, except for the front doors, the façade was restored in its original style. The auditorium was enlarged by recovering the space of the 23 rooms that had belonged to the Ferdinand Hotel, bringing the seat number to 982. The interior of the theater has been completely rebuilt in Romanian Revival style, eclectic, with Byzantine Revival and Art Deco ornaments.[2][5][7][9] The ceiling was decorated with frescoes made in 1926[29] by Theodor Kiriakoff-Suruceanu who reproduced characters from the history and fairy tales of the Romanian people.[12]

There are three performance halls in the building. The main hall, known as the "Great Hall", has a capacity of 722 seats: 330 in the stall, 107 in the lodges, 40 on the first balcony (in front of the lodges), 160 on the second balcony (above the lodges) and 85 in the gallery. Of these, 686 places are on tickets, 7 places are reserved for staff and 29 spare.[32] There is a standing zone in the gallery, so the capacity of the hall is 982 spectators. Stage dimensions are 23 × 13 m.[21] An Ovidius quote is displayed mon the central lodge: "Ars ultimam mores animumque effingere poset, pulchrior in terris nulla tabella foret. Si bene quid facias, cito fac; nam si cito factum, gratum erit, ingratum gratia tarda facit. Si vox est, canta; si mollia brachia, salta; et quaqumque potes arte placere, place: Ovidius"[33] (If art could depict the manners and the soul, no painting would be more beautiful on earth. If you do something right, do it quickly, because if it is done quickly, it will be pleasant; late gratitude produces dissatisfaction. If you have a voice, sing; if you have tender limbs, dance, and through any art, if you can produce pleasure, produce: Ovidius)

The "Redoubt" Hall has a capacity of 126 seats[34] and has facilities for translating the shows in Hungarian and German.[35]

"Uțu Strugari" Studio Hall (former "Studio 5")[36] is located on the third floor, and has a capacity of 50 seats.[37]

Controversies regarding the façade

Between 1934–1936 the main façade was changed. The style of the pillars of the balcony, of the capitals and of the decorations above was changed to Romanian Revival style, and the façade received a monumental aspect, characteristic of the time,[5][10][26][28][29] but which did not match the style of the surrounding buildings, sparking many protests at the time.[27][28][38] It was said that Duiliu Marcu, admiring the Italian arhitect Marcello Piacentini, designed the façade in fascist style,[12][28][38][39] and that it should be returned to the pre-1928 version, which was partially done in 2003, when the sides of the façade were restored to their original shape (the central element left unaltered).[38][39]

The complete bringing back to the original form is debated; revolutionaries oppose it because the symbol image of the Romanian Revolution would be damaged. It was also proposed to only change the arch, and leave the balcony as is. However, the façade cannot be completely restored to its 1928 condition.[39][40] The old façade was believed to be intact under the travertine slabs and it was hoped that the statues on the original façade would be discovered, recovered and displayed in front of the building.[39]

Historic events in the building

In addition to the visits of the two sovereigns, Franz Joseph and Ferdinand, various historical events took place in the building:

  • On 31 October 1918, after Otto Roth had declared in the Great Hall of the Military Casino in front of the officers summoned there the establishment of the Banat Republic and the attachment for the new Hungarian government, Aurel Cosma went up to the rostrum and declared that the Romanians would not comply with the Budapest directives and asked the Romanian officers to leave the hall. They went to the "Kronprinz Rudolf" restaurant, where they formed the Romanian National Military Council, to militate for the union of Banat with Romania.[41][42]
  • On 20 December 1989, the Romanian Democratic Front was established here, and on that day on theatre's balcony Timișoara was declared free from communism.[5][6][12][43]

Present day

The building is registered as a historic monument with the LMI code TM-II-m-A-06118.[44]

The following entities are active in the building today: Romanian National Opera, "Mihai Eminescu" National Theatre, "Csiky Gergely" Hungarian State Theatre, and German State Theatre. The Opera and the Romanian theater organize their shows in the Great Hall, and the theaters in Hungarian and German use the Redoubt Hall.[12][34][45]

The building also houses the urban planing workshop-exhibition,[23][46] the tourist information center of the Timișoara City Hall and various shops.[23]

In 2019 renovations of the façade started as preparations for Timișoara being one of European Capital of Culture cities in 2023. The cost of the renovation is about 4.66 million lei. Although it is owned by the town hall, the body does not have the necessary funds for a complete rehabilitation of this symbolic building.[40][47][48][49][50]

References

  1. Ilieșiu, Timișoara…, p. 228.
  2. Voicu, Mariana (2006). Istoria Teatrului Național „Mihai Eminescu” Timișoara 1945-2005: Date cronologice, repere artistice, material iconografic, aparat critic, evaluări și comentarii critice [History of the "Mihai Eminescu" National Theater Timișoara 1945-2005: Chronological Data, Artistic Landmarks, Iconographic Material, Critical Apparatus, Evaluations and Critical Comments] (in Romanian). Timișoara: BrumaR. p. 18. ISBN 978-973-602-202-9..
  3. Ilieșiu, Timișoara…, p. 228.
  4. Elena Miklósik, Contribuții…, pp. 215–216.
  5. Botescu, Mihai; Opriș, Mihai (30 July 2010). ""Palatul Culturii" din Timișoara" ["Palace of Culture" in Timișoara]. Monitorul Primăriei Municipiului Timișoara (in Romanian). Timișoara. Retrieved 2020-06-22..
  6. "Palatul Culturii" [Palace of Culture]. www.timisoara-info.ro (in Romanian). Timișoara City Hall. Retrieved 2020-06-20..
  7. Opriș, Botescu, Arhitectura…, pp.180–181.
  8. Székely, Gabriel (2018). Enciclopedia arhitecților din Banat 1700 - 1990 [Encyclopedia of Architects in Banat 1700 - 1990] (in Romanian). Timișoara: Eurostampa. pp. 220–224. ISBN 978-606-32-0558-3..
  9. Delesega Temesvári…, pp. 56–58.
  10. Neumann, Getta. Pe urmele Timișoarei evreiești [In the footsteps of the Jewish Timișoara] (in Romanian). Timișoara: BrumaR. p. 99. ISBN 978-606-726-145-5..
  11. "A temesvári Ferenc József Színház épülete (image)" [The building of the Ferenc József Theater in Timișoara (image)]. oszk.hu (in Hungarian). Retrieved 2020-06-20..
  12. Bălan, Titus (12 June 2016). "Timișoara ieri și azi: clădirea Operei, simbol al Revoluției" [Timișoara Yesterday and Today: the Opera House, a Symbol of the Revolution]. www.banatulazi.ro (in Romanian). Retrieved 2020-06-23..
  13. Balázs, Sára, (director, operator) (1999). Fellner és Helmer – Színházépítők [Fellner and Helmer – Theater Builders] (documentary) (in Hungarian)..
  14. Elena Miklósik, Contribuții…, pp. 219–220.
  15. Ilieșiu, Timișoara…, p. 230.
  16. Rovența, Loredana (15 May 2015). "Teatrul maghiar de stat" [Hungarian State Theater]. merg.in (in Romanian). Retrieved 2020-06-20..
  17. Beran, Oskar (1891). Temesvár és vidéke irásban és képben [Timisoara and its countryside in writing and image] (in Hungarian). Timișoara. pp. 48–66..
  18. Elena Miklósik, Contribuții…, pp. 223–224.
  19. Halunga, Otilia (2018-02-09). "Teatrul Național din Timișoara a renăscut mereu din propria-i cenușă, asemenea păsării Phoenix" [The National Theater of Timisoara Has Always Been Reborn From Its Own Ashes, Like the Phoenix Bird] (in Romanian). Bukarest: Agerpres. Retrieved 2020-06-23..
  20. Ilieșiu, Timișoara…, p. 233.
  21. Ilieșiu, Timișoara…, p. 234.
  22. Ilieșiu, Timișoara…, p. 231.
  23. Opriș, Botescu, Arhitectura…, p.184.
  24. Opriș, Botescu, Arhitectura…, pp. 186–193.
  25. "Fostul Palat al Băncilor Bănățene" [Former Palace of Banatian Banks]. www.timisoara-info.ro. Retrieved 2020-06-22..
  26. Opriș, Botescu, Arhitectura…, pp.182–183.
  27. Both, Stefan (27 August 2015). "Imagini rare din interiorul clădirii Teatrului „Franz Josef" din Timișoara, înainte și după marele incendiu" [Rare Images from Inside the "Franz Josef" Theater Building in Timișoara, Before and After the Big Fire]. Adevărul (in Romanian). Timișoara. Retrieved 2020-06-24..
  28. Both, Stefan (5 September 2015). "Istoria neștiută a Timișoarei. Fațada operei, inspirată de arhitectul preferat al lui Mussolini. Presa interbelică: „Un arc de triumf al prostiei"" [The Unknown History of Timișoara. The Façade of the Opera, Inspired by Mussolini's Favorite Architect. Interwar Press: "An Arc de Triomphe of Stupidity"]. Adevărul (in Romanian). Timișoara. Retrieved 2020-06-22..
  29. "Cartarea monumentelor istorice din Situl urban "Cetatea Timișoara" – Cvartal 36" [Mapping the Historical Monuments from the Urban Site "Cetatea Timișoara" – Cvartal 36] (PDF) (in Romanian). Timișoara City Hall. Archived from the original (PDF) on 2020-06-27. Retrieved 2018-05-27..
  30. Strategia…, pp. 84–85.
  31. Elena Miklósik, Contribuții…, p. 222.
  32. "Agenția de bilete" [Ticket agency]. www.ort.ro (in Romanian). Romanian Opera of Timișoara. Retrieved 2020-06-23..
  33. Ilieșiu, Timișoara…, p. 235.
  34. Popescu, Adam (4 March 2009). "Timișoara: Sala Mare, gata de spectacol" [Timisoara: The Great Hall, Ready for the Show]. Evenimentul Zilei (in Romanian). Bukarest. Retrieved 2020-06-23..
  35. Strategia…, p. 86.
  36. Tonta, Roxana (20 March 2013). "Sala Studio 5 a Teatrului Național va purta numele regretatului tânăr actor Uțu Strugari" [The Studio 5 Hall of the National Theater will be named after the late young actor Uțu Strugari]. www.pressalert.ro (in Romanian). Pressalert. Retrieved 2020-06-23..
  37. Strategia…, p. 84.
  38. Huțu, Ligia (10 February 2014). "Fațada Operei din Timișoara rămâne subiect de controversă" [The Façade of the Timisoara Opera House Remains Controversial]. timpolis.ro (in Romanian). Timpolis. Retrieved 2020-06-23..
  39. Both, Stefan (13 February 2015). "Primarul Timișoarei nu dorește aspect vienez pentru clădirea Operei. Va fi păstrată fațada de "Arc de triumf"" [The Mayor of Timișoara does not Want a Viennese Look for the Opera Building. The "Triumphal Arch" Façade will be Preserved]. Adevărul (in Romanian). Timișoara. Retrieved 2020-06-24..
  40. Iedu, Liliana (27 October 2016). "Fabuloasa schimbare a clădirii simbol pentru Timișoara! Ce se întâmplă cu Opera?" [The Fabulous Change of the Symbol Building for Timișoara! What About the Opera?]. www.opiniatimisoarei.ro (in Romanian). Opinia Timișoarei. Retrieved 2020-06-23..
  41. Cosma Jr., Aurel (1922). Bănățeni de altă dată [Banatians from Another Time] (in Romanian). Vol. I. Timișoara. p. 101..
  42. Dudaș, Vasile; Gruneanțu, Lazăr (19–20 October 2017). "Din contribuția avocaților români din Banat la constituirea și activitatea consiliilor și gărzilor naționale românești în toamna anului 1918" [The Collaboration of Vasile Goldiș with the Hierarchs of the Orthodox Church in Transylvania in the First Two Decades of the 20th Century]. Colocviul Internațional „EUROPA: Centru și margine: Cooperare culturală transfrontalieră” Ediția a VI-a (in Romanian). Arad, Romania. p. 138..
  43. Strategia…, p. 79.
  44. "Lista monumentelor istorice 2015: Județul Timiş" [List of Historical Monuments 2015: Timiş County] (PDF). patrimoniu.ro (in Romanian). Ministerul Culturii: Institutul Național al Patrimoniului. 2015. Retrieved 2022-04-10..
  45. Strategia…, p. 80.
  46. "Deschiderea atelierului de urbanism" [Opening of the Urban Planning Workshop]. Monitorul Primăriei Municipiului Timișoara (in Romanian). Timișiara. 21 April 2007. Retrieved 2020-06-25..
  47. "Fațada clădirii Operei din Timișoara intră în renovare" [The façade of the Timișoara Opera House is being renovated]. timpolis.ro (in Romanian). Timpolis. 24 September 2019. Retrieved 2020-06-25..
  48. "Începe șantierul la Opera Română! Se fac săpături pentru consolidare, apoi se pun schele" [The construction site at the Romanian Opera begins! Excavations are made for reinforcement, then scaffolding is placed.]. www.tion.ro (in Romanian). Timișoara Online. 30 November 2019. Retrieved 2020-06-25..
  49. Bălteanu, Daniel (30 October 2019). "Șantier nou în centru, la Timișoara. Se reface fațada clădirii Operei" [New construction site in the center, in Timișoara. The façade of the Opera House is being restored.]. realitateadetimis.net (in Romanian). Realitatea de Timiș. Retrieved 2020-06-25..
  50. Deliu, Anda (1 November 2019). "Încep lucrările de reabilitare la fațada Operei Române din Timișoara. În sfârșit!" [Rehabilitation works begin on the façade of the Romanian Opera in Timisoara. Finally!]. expressdebanat.ro (in Romanian). Express de Banat. Retrieved 2020-06-22..

Bibliography

  • Ilieșiu, Nicolae (2006). Timișoara: Monografie istorică [Timișoara: Historical Monograph] (in Romanian) (2th ed.). Timișoara: Planetarium. ISBN 978-973-97327-8-9.
  • Miklósik, Elena (2002). "Contribuții la istoria clădirii teatrului („nou") din Timișoara" [Contributions to the History of the ("New") Theater Building in Timisoara] (PDF). Patrimonium Banaticum (in Romanian) (I): 215–228. ISBN 973-86020-7-6.
  • Delesega, Gyula (2003). Temesvári kalauz téridőben [Timișoara guide in space time] (PDF) (in Hungarian). Timișoara: Marineasa. ISBN 973-631-047-7.
  • Opriș, Mihai; Botescu, Mihai (2014). Arhitectura istorică din Timișoara [The Historical Architecture of Timișoara] (in Romanian). Timișoara: Tempus. ISBN 978-973-1958-28-6.
  • Timișoara City Hall. "Strategia culturală a municipiului Timișoara 2014–2024" [The Cultural Strategy of the Municipality of Timișoara 2014–2024] (PDF). www.primariatm.ro (in Romanian). Retrieved 2022-04-09.
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