Oliver Twist (2005 film)

Nine-year-old orphaned Oliver Twist is taken to the workhouse by Mr. Bumble. After daring to ask for more food, Oliver is sold as an apprentice to an undertaker called Mr. Sowerberry but runs away following harsh treatment.

Oliver travels a seven-day journey to London where he is befriended by the Artful Dodger, a young pickpocket who takes him to live with a gang of thieves led by the villainous Fagin. Oliver also meets Nancy, a young prostitute and former pupil of Fagin's who is in an abusive relationship with Bill Sikes, Fagin's associate. Dodger and another gang member, Charley Bates, take Oliver out to teach him how to pick pockets. It ends in disaster when Oliver is falsely arrested for stealing a pocket handkerchief belonging to Mr. Brownlow. On learning of his innocence, Brownlow decides to provide a home for Oliver.

However, Fagin and Sikes become fearful that Oliver will lead the police to them and so force Nancy to help them retrieve Oliver. Later, Oliver is forced to aid Sikes in burgling Brownlow's house but is wounded in a shootout between Sikes and Brownlow. Sikes and Fagin (despite treating Oliver kindly) conspire to murder Oliver to prevent him from bringing the authorities down on the gang. Nancy (who has come to care for Oliver and regret her actions in bringing him back) overhears this and manages to inform Brownlow of Fagin and Sikes' intentions, without revealing Sikes' name for her own protection. Unbeknown to her, Dodger has been sent to spy on her by Fagin and informs Fagin and Sikes of her betrayal, leading Sikes to murder her.

Fagin and the gang escape their den to hide from police. However, Sikes' dog, Bullseye leads the authorities to the gang - Dodger, enraged at Sikes for killing Nancy, attempts to give Sikes up to the police. Sikes uses Oliver as a hostage whilst he tries to escape but accidentally hangs himself. Oliver is placed back in the care of Brownlow and travels to jail to visit Fagin, who has begun hallucinating. It is revealed that Fagin is to be executed for his crimes. Oliver and Brownlow return to London to continue their lives.

In Twist by Polanski, a bonus feature on the DVD release of the film, Roman Polanski discusses his decision to make yet another screen adaptation of the Dickens novel. He realized nearly forty years had passed since Oliver Twist had been adapted for a feature film and felt it was time for a new version. Screenwriter Ronald Harwood, with whom he had collaborated on The Pianist, welcomed the opportunity to work on the first Dickens project in his career.

For authenticity, all scenes featuring pickpocket skills were choreographed by stage pickpocket James Freedman and magician Martyn Rowland.

The film was shot in Prague, Beroun, and Žatec in the Czech Republic.

Due to the complex plot, several characters and events were omitted or changed.

The film does not explain where Oliver was raised prior to arriving at the workhouse. Mr. Bumble's role is reduced - there is no mention of him losing his job at the workhouse. Additionally, the characters of Monks (Oliver's half brother) and the Widow Corney are absent, therefore omitting any plot to destroy the locket proving Oliver's identity as well as Fagin and Monks' plan to prevent Oliver from inheriting his father's fortune by having him commit a crime. To make up for the absence of Monks, there is a plot in which Fagin and Sikes conspire to murder Oliver - an event which does not occur in the novel.

In the novel, it is left ambiguous as to how Oliver and Mr. Brownlow are related. As in many versions (such as the 1997 Disney version and the 1948 adaptation by David Lean), Brownlow is made Oliver's grandfather, however, unlike in previous versions, this relationship is more implied than explicitly stated.

Due to the absence of the Maylie family, Oliver is not left by Sikes to die during the burglary, rather he is taken back to Fagin's. The Artful Dodger is not deported to Australia and therefore, plays a larger role in some of the later events in the story. Firstly, he is sent by Fagin (instead of Noah Claypole who appears only in the earlier scenes) to spy on Nancy, indirectly causing her death by informing Fagin and Sikes that she has informed on them. Secondly, it is Dodger (instead of Charley Bates whose role is also smaller in the film than the novel) who attempts to give up Sikes to the police for murdering Nancy. However, his ultimate fate his left unknown after Sikes' death.

The film received mixed to positive reviews, holding a 61% score on Rotten Tomatoes based on 143 reviews, averaging 6.3/10. The consensus reads 'Polanski's version of Dickens' classic won't have audiences asking for more because while polished and directed with skill, the movie's a very impersonal experience.'[3] Metacritic assigned a score of 65, indicating 'generally favorable reviews.'[4]

A. O. Scott of The New York Times called it a "bracingly old-fashioned" film that "does not embalm its source with fussy reverence" but "rediscovers its true and enduring vitality." He added, "the look of the movie... is consistent with its interpretation of Dickens's worldview, which could be plenty grim but which never succumbed to despair. There is just enough light, enough grace, enough beauty, to penetrate the gloom and suggest the possibility of redemption. The script... is at once efficient and ornate, capturing Dickens's narrative dexterity and his ear for the idioms of English speech."[5]

Roger Ebert of the Chicago Sun-Times was similarly positive; he lauded the film as "visually exact and detailed without being too picturesque."[6] Mick LaSalle of the San Francisco Chronicle praised it as a "grounded and unusually matter-of-fact adaptation," continuing, "Polanski does justice to Dickens' moral universe, in which the motives and worldview of even the worst people are made comprehensible."[7]

Lisa Schwarzbaum of Entertainment Weekly graded the film B+ and commented, "On the face of it, Roman Polanski's Oliver Twist is in the tradition of every faithful Oliver Twist ever filmed – a photogenic, straightforward, CliffsNotes staging of Charles Dickens' harrowing story... Yet precisely because this is by Roman Polanski, it's irresistible to read his sorrowful and seemingly classical take, from a filmmaker known as much for the schisms in his personal history as for the lurches in his work, as something much more personal and poignant."[8]

However, Peter Travers of Rolling Stone rated two out of four stars, calling it "drab and unfeeling" while "lacking the Polanski stamp." He further felt Barney Clark's performance as Oliver was "bereft of personality."[9] Todd McCarthy of Variety echoed Travers' sentiments about Clark, labelling him "disappointingly wan and unengaging," while writing that the film was "conventional, straightforward" and "a respectable literary adaptation, but [lacking] dramatic urgency and intriguing undercurrents."[10]

In the UK press, Peter Bradshaw of The Guardian opined that while "[Polanski's] Oliver Twist does not flag or lose its way and is always watchable, the book's original power and force have not been rediscovered."[11] Philip French of The Observer wrote that the film was "generally disappointing, though by no means badly acted," and alleged that it lacked "any serious point of view about individuality, society, community."[12]

Sony Pictures released the film on DVD on 24 January 2006. It is in anamorphic widescreen format with audio tracks and subtitles in English and French. Bonus features include Twist by Polanski, in which the director reflects on the making of the film; The Best of Twist, which includes interviews with production designer Allan Starski, costume designer Anna B. Sheppard, cinematographer Paweł Edelman, editor Hervé de Luze, and composer Rachel Portman; and Kidding with Oliver Twist, which focuses on the young actors in the cast.

• Oliver Twist at IMDb
• Oliver Twist at Rotten Tomatoes
• Oliver Twist at Metacritic