Gazbia Sirry

Gazbia Sirry (Arabic: جاذبية سري) (11 October 1925 – 10 November 2021[1]) was an Egyptian painter.

Gazbia Sirry
Born11 October 1925
Died10 November 2021 (aged 96)

Born in Cairo, Gazbia Sirry studied fine arts at the Higher Institute of Art Education for Women Teachers in 1950 (currently known as the Faculty of Art Education at Helwan University), where her dissertation traced Egypt's political history. She later became a professor there, and also at the American University in Cairo. She has had more than 50 personal exhibitions, official purchases by international museums, international prizes, scholarships and university chairs.[2] The paintings of Sirry capture the relationship between social reform, feminist consciousness and advocacy of women.[3] Because of their eclecticism and heterogeneity of modern Egypt, Sirry's paintings were widely celebrated.

Her early work was dominated by images of women in unmistakable poses of power, performing roles in the public and private spheres, and celebrating female unity. In the late 1950s, Sirry made stylistic and thematic changes to reflect the grim mood created by discontent with the crackdown on dissent and curtailment of political freedom across the country. It also became increasingly abstract: by the 1960s this shift was apparent. While on fellowship at the Huntington Hartford Foundation in Pacific Palisades, California, 1965, she was introduced to the American style of abstract expressionism; in interviews Sirry credited this time in her life with “profound impact upon her art practice."[4] Her shift towards abstraction has also been linked some scholars to political unrest and especially the Six-Day War of1967.[5] The full abstraction was replaced in the early 1970s by the reappearance of human forms, but the dark paintings represent the fears of Sirry about the fortunes of women's emancipation. The dominant bright colors and pyramidal shapes of her paintings show the national pride and enthusiasm following the Ramadan/Yom Kippur War of 1973 in the later part of the 1970s.[6]

International recognition

Rome prizes for painting, 1952. Honoring prize for oil painting from Venice Biennale, 1956. Second prize for print from Alexandria International Biennale, 1959. Top prize for painting from Alexandria International Biennale, 1963. The fourth grand prix of International Contemporary Art, Monaco, 1968.

State collection

Egypt Modern Art Museum, Cairo. Alexandria Modern Art Museum. Marine Museum in Alexandria. The Egyptian National Bank in Cairo. Al-Ahram newspaper, Cairo. The Ministry of Foreigners and Egyptian embassies abroad. The Egyptian Art Academy in Rome. Arts and Sciences Museum in Evansville, Indiana, USA. Vincent Price Art Collection in Los Angeles, USA. Faculties of fine arts and art education in Cairo, Alexandria and Menia. Josef Museum of Unaligned Countries in Belgrade, Yugoslavia. Living Art Museum in Tunis. The Grand Conference Hall at Cairo Opera House and Cairo. The National Museum of Women Arts in Washington. Arab World Institute in Paris. Museum of Art and Sciences in Evansville, Indiana, USA. Unaligned Countries Museum in Yugoslavia. The American University in Cairo. Cairo Opera House. Great Cairo Library. Mubarak Public Library in Giza. The Supreme Council of Culture, Cairo. Press Syndicate, Cairo. Novotel Hotel in Cairo Airport. Sheraton Hotel in Giza. Sheraton Atoun Hotel in Nuba.

Bibliography
  • Atallah, Nadine. "Have there really been no great women artists ? Writing a feminist art history of modern Egypt", in Under the skin : feminist art and art histories from the Middle East and North Africa today, Oxford : Oxford University Press, 2020 (Proceedings of the British Academy), p. 11‑25.
  • Atallah, Nadine. "Gazbia Sirry", Dalloul Art Foundation, https://dafbeirut.org/en/gazbia-sirry
  • Atallah, Nadine. "Women, Art and the Nation. History of the Exhibitions of Two Egyptian Women Artists, from the 1950s to the Present day: Inj Efflatoun and Gazbia Sirry", AWARE (Archives of Women Artists Research & Exhibitions), https://awarewomenartists.com/en/magazine/femmes-lart-nation-histoire-expositions-de-deux-artistes-egyptiennes-annees-1950-a-nos-jours-inji-efflatoun-gazbia-sirry/
  • Azar, Aimé. Femmes peintres d'Egypte. Le Caire: Imprimerie Française, 1953.
  • El-Din, Mursi Saad. Gazbia Sirry: Lust for Color. Cairo: American University in Cairo Press, 1998.
  • El Razzaz, Mostafa, Sonia Farid, and Ashraf Reda. Inji, Tahia, Gazbia: a life's journey. Cairo: Gallery Picasso, 2014.
  • Karnouk, Liliane. "Contemporary Egyptian Art", Cairo: American University in Cairo Press, 1995.
  • Okeke-Agulu, Chika."Politics by Other Means: Two Egyptian Artists, Gazbia Sirry and Ghada Amer."Meridians: feminism, race, transnationalism - Volume 6, Number 2, pp. 117-149.Indiana University Press. 2006.
  • Seggerman, Alex Dika. Modernism on the Nile: Art in Egypt between the Islamic and the Contemporary. Chapel Hill: UNC Press, 2019.
  • Seggerman, Alex Dika. "Gazbia Sirry." Mathaf Encyclopedia, http://encyclopedia.mathaf.org.qa/en/bios/Pages/Gazbia-Sirry.aspx
  • Winegar, Jessica. Creative Reckonings: The Politics of Art and Culture in Contemporary Egypt. Stanford, California: Stanford University Press, 2006.

References
  1. وزيرة الثقافة تنعى الفنانة التشكيلية جاذبية سري (in Arabic)
  2. "Zamalek Art Gallery, Artist Gazbia Sirry Biography". www.zamalekartgallery.com. Retrieved 2021-11-19.
  3. www.metmuseum.org https://www.metmuseum.org/toah/hd/egma/hd_egma.htm. Retrieved 2022-03-10. {{cite web}}: Missing or empty |title= (help)
  4. "Gazbia Sirry". www.encyclopedia.mathaf.org.qa. Retrieved 2022-03-10.
  5. author., Winegar, Jessica. Creative reckonings : the politics of art and culture in contemporary Egypt. OCLC 1230077674. {{cite book}}: |last= has generic name (help)
  6. Nnaemeka, Obioma (2006). "Meridians: Women, Creativity, and Dissidence". Introduction: Sideline Insurgencies and Gendered Art. 6 (2): 1–21. JSTOR 40338699.
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.