Golden Eagle Festival

The Golden Eagle Festival or Eagle Festival (Бүргэдийн наадам/бүркіт той), is an annual traditional festival held in Bayan-Ölgii aimag, Mongolia.[1] In the eagle festival, Kazakh eagle hunters (Burkitshi) celebrate their heritage and compete to catch small animals such as foxes and hares with specially trained golden eagles, showing off the skills both of the birds and their trainers. Prizes are awarded for speed, agility and accuracy, as well as for the best traditional Kazakh dress, and more.[2]

Parade of eagle hunters at festival

The Eagle Festival is held during the first weekend in October, run by the Mongolian Eagle Hunter's Association. Dark, rocky mountainous terrain forms the backdrop to the festivities, which incorporate an opening ceremony, parade, cultural exhibitions, demonstrations and handcrafts in the centre of the town of Ölgii, followed by sporting activities and competitions 4 kilometres (2.5 mi) outside of town towards the mountains. Dressed in full eagle hunting regalia and mounted on groomed decorated horses, the entrants compete for the awards of Best Turned Out Eagle and Owner; Best Eagle at Hunting Prey and Best Eagle at Locating Its Owner from a Distance. Other sporting activities include horse racing, archery and the highly entertaining Bushkashi - goatskin tug of war on horseback.

The Eagle Festival is featured in the 2016 documentary The Eagle Huntress, in which the 13-year-old Kazakh girl Aisholpan becomes the first female to enter and win the competition.

A smaller festival, the Sagsai Golden Eagle Festival on 17-18 September each year especially for photographers, cinematographers and photo journalists, and the Altai Kazakh Eagle Festival, is also held each year in the nearby village of Sagsai in the last week of September. It follows much the same pattern as the larger Golden Eagle Festival, with about 40 eagle hunters participating.[3]

From The Bigger Picture section in Chapter 1 of Dr. Lauren McGough's PhD thesis study entitled "Partnerships and understanding between Kazakh pastoralists and golden eagles of the Altai mountains : a multi-species ethnography" published on April 12, 2019 (University of St. Andrews): "I’d like to [...] give the reader a broader overview of the pastoralism and eagle culture of Bayan-Olgii.[...] Hunting with eagles changes quite profoundly the further you travel from Olgii city. The key to understanding this is tourism. In the 1990s, Mongolia devoted a lot of funding and resources to encouraging tourism and creating a navigable tourist infrastructure. It has been very successful, and outside mining, tourism now represents the primary source of GDP for the country. In 1999, the Golden Eagle Festival was founded in Olgii City in order to encourage tourism to Bayan-Olgii. The Festival takes place In October, and consists of three events over two days in which a panel of judges scores a berkutchi and his eagle. The first event is a judging of the berkutchi’s appearance. Is he (as well as the horse and eagle) wearing traditional clothing, and how exceptional does it look? The second event is a judging of an eagle’s willingness to fly to the berkutchi’s glove. How fast does the eagle respond? The third and final event is a judging of an eagle’s willingness to attack a dragged fox pelt. Does she attack it aggressively as if it were a real fox? Since actual hunting takes place in deep winter and is very physically demanding, many tourists are not able to experience it. The Festival is a substitute. However, the eagles that will excel at the Festival are very different from eagles that will excel at catching foxes in remote areas.In the next chapter, I will write about how sub-adult eagles are trapped and socialized with humans. These eagles, fiercely independent creatures, are ideal hunting partners. However, they aren’t so tolerant of new situations or crowds of people. At the Festival, which has become very popular in recent years (hosting several hundred tourists), wild-trapped sub-adult eagles will not tolerate flying near huge crowds. They’ll fly away instead, back to the safety of the remote, sparsely inhabited stretches of the Altai. In order to have eagles to fly at the Festival, some Kazakhs have taken to using colberkuts or ‘hand-eagles’. These are eagles where are taken from the nest as downy chicks, or eyasses to use the falconry term, at mere days of age. These eagles become imprinted on humans, and know nothing other than life with humans. Thus, they are impossible to lose and have no fear of the largest thronging crowd. They will fly to the glove and the fox pelt at the Festival without issue. However, these eagles, deprived of the learning experience with their parents, don’t know how to hunt. As any fox-catching eaglehunter will tell you, humans can only do a poor job of teaching an eagle how to hunt. The utility of trapping a sub-adult eagle, is it already knows how to catch foxes, you merely have to convince the eagle that you are an ally in that pursuit. What I then found, is that the closer I was to Olgii city, the more colberkuts I saw. These hand-raised eagles gives themselves away by continually begging for food (these eagles are too mentally stunted to reach adolescence, and can never be released). The food call is a loud “psh-ack psh-ack psh-ack” sound. They also fly weaklyand have no level of fitness. As useless as colberkuts are for hunting, they are great for tourism. Tourists don’t know the difference. A large portion of the 300 berkutchi mentioned are Kazakhs who keep these colberkuts purely to take to the Festival and to show to tourists.One can hardly blame them, as to be able to invite tourists into your home can represent a lot of income for a family that typically relies on volatile cashmere and meat prices.However, this recent phenomenon of the Festival and colberkuts is not within the scope of this thesis. This thesis is focused on eagle culture and the tradition of hunting with eagles as it relates to the practical catching of foxes. That is, the millennia sustained tradition of trapping sub-adult eagles, socializing them to hunt in partnership with humans, and then releasing them. This is the tradition from which the vast well of ethno-ornithological knowledge of the Kazakh people comes.Outside the magnet of Olgii City, Kazakhs are watching for clues about the movement of eagles. The window for trapping, when migrating eagles bottleneck in Bayan-Olgii, is a few short weeks in October. This rush can initiate a flurry of activity. Herders are in constant contact to try to spot the first individuals coming down and ascertain when the migration reaches its zenith and when the most advantageous time to lay traps is. It’s a period of extreme uncertainty. There is necessarily an element of luck involved in trapping an eagle, especially one that will be a great hunting partner. Many superstitions about the natural world come into play when one is searching for an eagle. Trapping an eagle is almost seen as a gift from the divine, and if you’ve harbored bad thoughts or acted unscrupulously against nature, you will look in vain until the window is closed. But if you’ve done well by your family, livestock and nature, you might trap an eagle so fine she’ll be with you for ten years." 4

References

  1. Soma, Takuya; Battulga, Sukhee (2014). "Altai Kazakh Falconry as Heritage Tourism: "The Golden Eagle Festival" of Western Mongolia'". The International Journal of Intangible Heritage. Seoul: The National Folk Museum of Korea. 9: 135–148.
  2. Murray, Andrew (9 July 2010). "Golden Eagle Festival, Mongolia". Adventure Bimbling. Archived from the original on 13 October 2013. Retrieved 6 February 2012.
  3. "Altai Kazakh Eagle Festival". Discover Bayan-Olgii.

4. Excerpt from 'The Bigger Picture' section in Chapter 1 of Dr. Lauren McGough's PhD thesis study entitled "Partnerships and understanding between Kazakh pastoralists and golden eagles of the Altai mountains: a multi-species ethnography" published on April 12, 2019 (University of St. Andrews). Url: https://research-repository.st-andrews.ac.uk/handle/10023/18955

Further reading

  • Soma, Takuya. 2012. ‘Contemporary Falconry in Altai-Kazakh in Western Mongolia’The International Journal of Intangible Heritage (vol.7), pp. 103–111.
  • Soma, Takuya. 2012. ‘Ethnoarhchaeology of Horse-Riding Falconry’, The Asian Conference on the Social Sciences 2012 - Official Conference Proceedings, pp. 167–182.
  • Soma, Takuya. 2012. ‘Intangible Cultural Heritage of Arts and Knowledge for Coexisting with Golden Eagles: Ethnographic Studies in “Horseback Eagle-Hunting” of Altai-Kazakh Falconers’, The International Congress of Humanities and Social Sciences Research, pp. 307–316.
  • Soma, Takuya. 2012. ‘The Art of Horse-Riding Falconry by Altai-Kazakh Falconers’. In HERITAGE 2012 (vol.2) - Proceedings of the 3rd International Conference on Heritage and Sustainable Development, edited by Rogério Amoêda, Sérgio Lira, & Cristina Pinheiro, pp. 1499–1506. Porto: Green Line Institute for Sustainable Development. ISBN 978-989-95671-8-4.
  • Soma, Takuya. 2012. ‘Horse-Riding Falconry in Altai-Kazakh Nomadic Society: Anthropological Researches in Summertime Activities of Falconers and Golden Eagle’. Japanese Journal of Human and Animal Relation 32: pp. 38–47 (written in Japanese).
  • Soma, Takuya. 2013. ‘Ethnographic Study of Altaic Kazakh Falconers’, Falco: The Newsletter of the Middle East Falcon Research Group 41, pp. 10–14.
  • Soma, Takuya. 2013. ‘Ethnoarchaeology of Ancient Falconry in East Asia’, The Asian Conference on Cultural Studies 2013 - Official Conference Proceedings, pp. 81–95.
  • Soma, Takuya. 2013. ‘Hunting Arts of Eagle Falconers in the Altai-Kazakhs: Contemporary Operations of Horse-Riding Falconry in Sagsai County, Western Mongolia’. Japanese Journal of Human and Animal Relation 35: pp. 58–66 (written in Japanese).
  • Takuya Soma. 2014. Human and Raptor Interactions in the Context of a Nomadic Society: Anthropological and Ethno-Ornithological Studies of Altaic Kazakh Falconry and its Cultural Sustainability in Western Mongolia (PhD Thesis submitted to University of Kassel, 20 August 2014)
  • 相馬拓也 2012「アルタイ=カザフ鷹匠による騎馬鷹狩猟: イヌワシと鷹匠の夏季生活誌についての基礎調査」『ヒトと動物の関係学会誌(vol. 32)』: pp. 38–47.
  • 相馬拓也 2013「アルタイ=カザフ鷹匠たちの狩猟誌: モンゴル西部サグサイ村における騎馬鷹狩猟の実践と技法の現在」『ヒトと動物の関係学会誌(vol.35)』: pp. 58–66.
  • 日本放送協会(NHK). 2003. 『地球に好奇心:大草原にイヌワシが舞う~モンゴル・カザフ族 鷹匠の親子~』: NHKエンタープライズ(co-produced by 群像舎), (on air: 10:05-10:57, 13 December 2003), NHK-BS2 Television.
  • 日本放送協会(NHK). 2010. 『アジアンスマイル: 僕とイヌワシの冬物語~モンゴル・サグサイ村~』: NHKエンタープライズ(co-produced by 株式会社グループ現代), (on air: 18:30-18:50, 16 January 2010), NHK BS1 Television.
  • 日本放送協会(NHK). 2015. 『地球イチバン: 地球最古のイーグルハンター』: NHK文化福祉部制作, (on air: 22:00-22:50, 29 January 2015), NHK総合.

Dr. Lauren McGough's PhD thesis study entitled "Partnerships and understanding between Kazakh pastoralists and golden eagles of the Altai mountains : a multi-species ethnography" published on April 12, 2019 (University of St. Andrews) Url: https://research-repository.st-andrews.ac.uk/handle/10023/18955

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