Gespensterbuch
The Gespensterbuch is a collection of German ghost stories written by August Apel and Friedrich Laun and published in seven volumes between 1810–1818.

Stories
Volume | Year | Original title | English translation | Author |
---|---|---|---|---|
1 | 1810 | "Der Freischütz" | The Freeshooter | Apel |
"Das Ideal" | The Ideal | Laun | ||
"Der Geist des Verstorbenen" | The Ghost of the Deceased | Laun | ||
"König Pfau" | King Peacock | Apel | ||
"Die Verwandtschaft mit der Geisterwelt" | The Kinship with the Spirit-World | Laun | ||
2 | 1811 | "Die Todtenbraut" | The Dead Bride | Laun |
"Die Bräutigamsvorschau" | The Bridegroom Preview | Apel | ||
"Der Todtenkopf" | The Death's Head | Laun | ||
"Die schwarze Kammer" | The Black Chamber | Apel | ||
"Das Todesvorzeichen" | The Sign of Death | Laun | ||
"Der Brautschmuck" | The Bridal Jewelry | Apel | ||
"Kleine Sagen und Märchen" | Little Legends and Tales | Apel | ||
3 | 1811 | "Die Vorbedeutungen" | The Portents | Laun |
"Klara Montgomery" | Klara Montgomery | Apel | ||
"Der Gespensterläugner" | The Ghost-Deniers | Laun | ||
"Das Geisterschloß" | The Ghost-Castle | Apel | ||
"Der Geisterruf" | The Ghost Call | Apel | ||
"Der Todtentanz" | The Dance of Death | Apel | ||
4 | 1811 | "Zwei Neujahrsnächte" | Two New Year's Nights | Apel |
"Der verhängnisvolle Abend" | The Fateful Evening | Laun | ||
"Zauberliebe" | Magic Love | Apel | ||
"Die Braut im Sarge" | The Bride in the Coffin | Laun | ||
"Das unterirdische Glück" | The Underground Luck | Laun | ||
5 | 1815 | "Der Heckethaler" | The Hedge Thaler | Laun |
"Der Liebesschwur" | The Love Oath | Laun | ||
"Die Ruine von Paulinzell" | The Ruins of Paulinzell | Apel | ||
"Die Hausehre" | The House-Honour | Laun | ||
"Die Schuhe auf den Stangen" | The Shoes on the Bars | Apel | ||
"Legende" | Legend | Laun | ||
"Das silberne Fräulein" | The Silver Miss | Apel | ||
6 | 1816 | "Vorrede" | Foreword | Apel |
"Swanehild" | Swanehild | Laun | ||
"Der Schutzgeist" | The Guardian Spirit | Apel | ||
"Die Wachsfigur" | The Wax Figure | Laun | ||
"Blendwerk" | Blend Work | Laun | ||
"Das Meerfräulein" | The Mermaid | Laun | ||
"Der Mönch" | The Monk | Laun | ||
"Der rothe Faden" | The Red Thread | Laun | ||
"Der Lügenstein" | The Lying Stone | Laun | ||
7 | 1818 | "Vorrede" | Foreword | Laun |
"Die drei Templer" | The Three Templars | Fouqué | ||
"Der Liebesring" | The Love Ring | Laun | ||
"Die Jungfrau des Pöhlberges" | The Maiden of the Pöhlbergers | Laun | ||
"Der Bergmönch" | The Mountain Monk | Miltitz | ||
"Die Fräulein vom See" | The Young Women from the Lake | Laun | ||
"Muhme Bleiche" | Aunt Bleach | Miltitz | ||
"Friedbert" | Friedbert | Miltitz | ||
"Altmeister Ehrenfried und seine Familie" | Head Master Ehrenfried and His Family | Fouqué |
Freischütz
The first tale in the first volume[1] is the story of a magic marksman, "The Freischütz". It underlies Weber's opera Der Freischütz. [2]
Translation
In 1812, Jean-Baptiste Benoît Eyriès translated eight German ghost stories into French as Fantasmagoriana, including five of the tales from the first and second volumes of the Gespensterbuch. The following year, Sarah Elizabeth Utterson translated five of the stories from Fantasmagoriana into English as Tales of the Dead (along with a story of her own), including three of the Gespensterbuch tales. The stories she omitted were translated into English by A. J. Day together with Utterson's translation in Fantasmagoriana: Tales of the Dead (2005).[3]
"Der Freischütz" was translated by Thomas De Quincey and published anonymously as "The Fatal Marksman" in Popular Tales and Romances of the Northern Nations (1823).[4]
References
- August Apel und Friedrich Laun, "Gespensterbuch" (in German). Band 1, Verlag Göschen, Leipzig, 1811
- Friedrich Kind. "Schöpfungsgeschichte des Freischützen". Der Freischütz, Volks-Oper in drei Aufzügen, Göschen, Leipzig, 1843, S. 117–123 (in German).
- Day, A. J. (2005). Fantasmagoriana: Tales of the Dead. ISBN 1-4116-5291-6.
- Birkhead, Edith (1921). The Tale of Terror: A Study of the Gothic Romance. London: Constable. p. 174.