Bear McCreary

In 2003, McCreary worked under primary composer Richard Gibbs on the three-hour miniseries which served as a pilot for the reimagined series of Battlestar Galactica. When the show was picked up, Gibbs opted not to devote full-time to the regular series' production, and McCreary became the sole composer. He worked on the series until it reached its conclusion in 2009, scoring over 70 episodes. To date, six Battlestar Galactica soundtrack albums have been released, and have garnered a great deal of critical acclaim[8][9] and commercial success. The soundtracks for seasons two and three ranked amongst Amazon.com's Top 30 Music Sales on their first days of release.[7]

McCreary composed for the Battlestar Galactica prequel series Caprica and Battlestar Galactica: Blood and Chrome.

McCreary provided the score for the series Human Target (based on the comic book of the same name). The pilot episode and main theme score had been recorded with a full orchestra.[10] The series has the distinction of having one of the largest orchestras on television.

The score to the finale of season one, "Christopher Chance", used the largest orchestra ever assembled for episodic television, and he took the opportunity to rerecord the main title theme with a new orchestration with this larger ensemble.

In July 2010, he received his first Emmy nomination for the Human Target main title.[11]

In a post on his blog on July 25, 2010, McCreary announced the new creative leadership brought in for season two had not asked him to return for it, and he would be leaving the series.[12]

The opening title sequence for Black Sails was composed by McCreary with a backing sea chantey inspired theme. It accurately features an instrument of the period in the form of the hurdy-gurdy.

McCreary has composed the soundtrack for each of the first five seasons of Outlander, with the main title being sung by long time collaborator and partner, Raya Yarbrough. McCreary was nominated for an Emmy for the episode "Sassenach" in 2015.

During Comic-Con 2010, Bear McCreary attended panels for AMC's The Walking Dead and NBC's The Cape to announce he would be composing the score for both television series.[13][14]

On July 15, 2013, McCreary announced that he would compose the score for ABC's series Agents of S.H.I.E.L.D.[15] On September 4, 2015, McCreary released the official Agents of S.H.I.E.L.D. soundtrack publicly.[16]

McCreary served as orchestral producer for the rock opera Metalocalypse: The Doomstar Requiem airing on Adult Swim on October 27, 2013. This is a continuation of the Metalocalypse universe following the band Dethklok. The music features a 50-piece orchestra. The soundtrack was released on October 29, 2013.[17]

McCreary also composed the score for the television series Snowpiercer which premiered on TNT May 17, 2020. Snowpiercer was also distributed online via Netflix.[18]

The score for the Masters of the Universe: Revelation series on Netflix was composed by McCreary[19]

McCreary composed the theme and music for the television series Foundation, an Apple TV+ series adapted from Isaac Asimov’s novels. The Season 1 soundtrack was released on September 24, 2021.[20]

McCreary worked on several films providing additional music and conducting for My Baby's Daddy and Johnson Family Vacation before striking it off on his own and scoring Rest Stop and Wrong Turn 2: Dead End, both direct to video.

After working with Shawn Papazian on Rest Stop: Don't Look Back, the sequel to Rest Stop. McCreary made his theatrical film debut with Step Up 3D[21]

Following Step Up 3D, he scored three films directed by Joe Lynch, Chillerama, Knights of Badassdom and Everly. Everly's soundtrack included a duet McCreary sang with his wife, Raya Yarbrough.

McCreary has only worked with a few directors multiple times. Christopher Landon on three films, Happy Death Day, Happy Death Day 2U and Freaky, and director McG twice on Rim of the World and The Babysitter: Killer Queen.

Other notable film scores include 10 Cloverfield Lane, The Cloverfield Paradox, Child's Play (2019 film), and Godzilla: King of the Monsters.

McCreary's latest feature scores include Ava, The Babysitter: Killer Queen and Freaky.

McCreary made an eight-bit rendition of the Dark Void theme, which was, originally, an April fools joke. However, the theme was used for the prequel, Dark Void Zero.[22] He composed all the songs in an eight-bit fashion by connecting the wires on an actual NES console and cartridge to create authenticity.

He arranged James Rolfe's The Angry Video Game Nerd "You're a Mean One, Mr. Grinch" parody "You're a Mean One, Mr. Nerd" for the 2010 Christmas special, with orchestra and eight-bit audio elements.[23]

McCreary also performed with his orchestra band live at Sony's E3 2016 press conference throughout the show and composed the score of the 2018 God of War game.[24]

In 2021, McCreary composed the score for Call of Duty: Vanguard.[25]