What Is to Be Done? (novel)

What Is to Be Done? (Russian: Что делать?, tr. Chto délat'?, lit. 'What to Do?') is an 1863 novel written by Russian philosopher, journalist, and literary critic Nikolai Chernyshevsky, written in response to Fathers and Sons (1862) by Ivan Turgenev. The chief character is Vera Pavlovna, a woman who escapes the control of her family and an arranged marriage to seek economic independence.

For other uses, see What Is to Be Done? (disambiguation).
What Is to Be Done?
1905 title page
AuthorNikolai Chernyshevsky
Original titleChto délat'?
CountryRussian Empire
LanguageRussian
GenrePhilosophical fiction, political fiction
Publication date
1863
Published in English
1886
Media typePrint (hardback and paperback)

Background

When he wrote the novel, Chernyshevsky was himself imprisoned in the Peter and Paul fortress of St. Petersburg and was to spend years in Siberia. He asked and received permission to write the novel in prison; the authorities passed the manuscript along to the newspaper Sovremennik, his former employer which also approved it for publication in installments in its pages.

Utopianism in the Novel

The novel advocates the creation of small socialist cooperatives based on the Russian peasant commune, but ones that are oriented toward industrial production. The author promoted the idea that the intellectual's duty was to educate and lead the laboring masses in Russia along a path to socialism that bypassed capitalism. Despite his minor role, Rakhmetov, one of the characters in the novel, became an emblem of the philosophical materialism and nobility of Russian radicalism. Through one character's dream, the novel also expresses a society gaining "eternal joy" of an earthly kind.

The work itself can be analyzed as a work of literary utopia[1] through its alternating narrative style, wherein Cherneshevsky makes use of metaliterary techniques that implicate the reader through the author's interruptions and direct addresses to the reader. The reader's complicity with the author, who is presumably the narrator, further implicates them in the political act of engaging with Cherneshevsky's ideology.[2][3]

Vera Pavlovna's Dreams

Vera Pavlovna has four dreams throughout the course of the novel. Vera's dreams ultimately work to transform her own desires into action. Vera Pavlovna's dreams follow in the Russian literary tradition of the prophetic dream, having a predictive relationship from sleep to waking life.[4][5]

In her first dream, Vera's "dream-guide" (a version of herself) introduces herself as "the bride of your [Vera's] bridegroom," solidifying Vera's intention to marry Lopukhov and free herself from her cellar. In her dream, Vera continues to free other young girls from their own cellars. Vera does so in real life by forming her sewing co-operative and residential commune that affords both herself and other young girls the ability to become financially independent and self-sufficient.[6][7][4]

Vera Pavlovna witnesses a theoretical conversation between Lopukhov and Kirsanov about the philisophical constituents of dirt in her second dream. While this dream does not appear to directly spur Vera into revolutionary action, the conversation is an allegory for Cherneshevsky's belief that socioeconomic conditions shape individuals.[8] Wagner says of this dream:

"Chernyshevsky uses Liebig's theories regarding the fertility of different types of soil... to expound his own idea that socioeconomic conditions shape an individual's character, and that therefore the revolutionary trans­ formation of these conditions will ensure social justice and prosperity by fostering appropriate personality traits."[9]

Vera Pavlovna's third dream exposes her doubts within her marriage to Lopukhov, forming the foundation for Vera's formation of a variety of relationships later in the novel that do not conform to the monogamous and heterosexual social norms.[4][10]

Ultimately, Vera's fourth dream constructs an agrarian utopia. Vera sees a crystal palace that is a technological and scientific marvel. The utopia in Vera's dream is reminiscent of Charles Fourier's phalanstères.[1] Vera's dream-guide champions equal rights between all women and men as the foundation for this utopian society.[11][4] It is here that Vera recognizes herself as her dream-guide, thus positioning utopian potential in the everyday through such actions and ideologies as Vera Pavlovna's.[4]

Influence

More than the novel itself, the book is perhaps best known in the English-speaking world for the response it garnered.

The novel inspired several generations of revolutionaries in Russia, including populists, nihilists, and Marxists. Likewise, Vladimir Lenin, Georgi Plekhanov, Peter Kropotkin, Alexandra Kollontay, Rosa Luxemburg, and Swedish writer August Strindberg[12] were all highly impressed with the book. Emma Goldman, a Russian-born anarchist, describes her intent to found a sewing cooperative based on Vera Pavlovna's model found in the novel.[13][14]

The novel came to be officially regarded as a Russian classic in the Soviet period, as Cherneshevsky was celebrated as a forefather of the revolution.[15][16] According to Joseph Frank, "Chernyshevsky's novel, far more than Marx's Capital, supplied the emotional dynamic that eventually went to make the Russian Revolution."[17]

The novel was controversial upon its publishing and continues to be. Fyodor Dostoevsky mocked the utilitarianism and utopianism of the novel in his 1864 novella Notes from Underground, as well as in his 1872 novel Demons, as did Vladimir Nabokov in his final novel in Russian, The Gift. Leo Tolstoy wrote his own What Is to Be Done?, published in 1886, based on his own ideas of moral responsibility.[18] Vladimir Lenin named his 1902 pamphlet What Is to Be Done? due to the influence the novel had on him.[7]

The novel's influence spread beyond the Russian radical tradition and Russian radical intellectuals. For example, it is referenced by Tony Kushner multiple times in his play Slavs!, by André Gide's Les caves du Vatican (Lafcadio's Adventures), and, some have argued, by Ayn Rand.[19]

References
  1. Fokkema, Douwe (2011), "Chernyshevsky's What Is to Be Done? and Dostoevsky's Dystopian Foresight", Perfect Worlds, Utopian Fiction in China and the West, Amsterdam University Press, pp. 211–232, ISBN 978-90-8964-350-6, JSTOR j.ctt46mwnv.13, retrieved 2022-03-10
  2. Wagner, William; Katz, Michael (2014-12-03). "Introduction: Chernyshevsky, What Is to Be Done? and the Russian Intelligentsia". What Is to Be Done?. Cornell University Press. p. 30. doi:10.7591/9780801471599. ISBN 978-0-8014-7159-9.
  3. Morson, Gary Saul (1982). "The Boundaries of Genre: Dostoevsky's Diary of a Writer and the Traditions of Literary Utopia". Poetics Today. 3 (1): 198. doi:10.2307/1772228. ISSN 0333-5372. JSTOR 1772228.
  4. Stuhr-Rommereim, Helen; Jarris, Mari (2020). "Nikolai Chernyshevsky's What Is to Be Done? and the Prehistory of International Marxist Feminism". Feminist German Studies. 36 (1): 166–192. doi:10.1353/fgs.2020.0012. ISSN 2578-5192. S2CID 235084738.
  5. Visson, L. (1992). Moments of truth: Dreams in Russian literature. Dreaming, 2(3), 181–189. https://doi.org/10.1037/h0094359
  6. Chernyshevsky, Nikolai; Katz, Michael R. (2014-12-03). What Is to Be Done?. Cornell University Press. pp. 130–131. doi:10.7591/9780801471599. ISBN 978-0-8014-7159-9.
  7. Paperno, Irina (1988). Chernyshevsky and the age of realism : a study in the semiotics of behavior. Stanford University Press. ISBN 0-8047-1453-3. OCLC 1014952245.
  8. Chernyshevsky, Nikolai; Katz, Michael R. (2014-12-03). What Is to Be Done?. Cornell University Press. pp. 180–182. doi:10.7591/9780801471599. ISBN 978-0-8014-7159-9.
  9. Chernyshevsky, Nikolai; Katz, Michael R.; Wagner, William (2014-12-03). What Is to Be Done?. Cornell University Press. p. 181. doi:10.7591/9780801471599. ISBN 978-0-8014-7159-9.
  10. Chernyshevsky, Nikolai; Katz, Michael R. (2014-12-03). What Is to Be Done?. Cornell University Press. pp. 429–431. doi:10.7591/9780801471599. ISBN 978-0-8014-7159-9.
  11. Chernyshevsky, Nikolai; Katz, Michael R. (2014-12-03). What Is to Be Done?. Cornell University Press. p. 368. doi:10.7591/9780801471599. ISBN 978-0-8014-7159-9.
  12. Myrdal, Jan. 1986. Ord och avsikt.
  13. Rudahl, Sharon (2007). Buhle, Paul (ed.). A dangerous woman : the graphic biography of Emma Goldman. The New Press. ISBN 978-1-59558-064-1. OCLC 123539320.
  14. Drozd, Andrew Michael (2001). Chernyshevskii's What is to be done? : a reevaluation. Northwestern University Press. ISBN 0-8101-1739-8. OCLC 247993113.
  15. Chernets, L. V. (1990). "Н. Г.: Биобиблиографическая справка". Русские писатели. Биобиблиографический словарь. Том 2. М--Я. Под редакцией П. А. Николаева. М., "Просвещение". Retrieved 1 March 2012.
  16. Plekhanov, Georgi (1910). "Н.Г.Чернышевский". Библиотека научного социализма. Т.4. Retrieved 1 March 2012.
  17. Amis, Martin (2002). Koba the Dread. Miramax. p. 27. ISBN 0-7868-6876-7.
  18. "What Is to Be Done?".
  19. Sciabarra, Chris Matthew (1 November 2010). Ayn Rand: The Russian Radical. Penn State Press. p. 28. ISBN 978-0-271-04236-7.

Further reading
  • Mack, Maynard. 1956. The Norton Anthology of World Masterpieces. pp. 1,085–1,086.
  • Ross, Kristin (2015). Communal Luxury: The Political Imaginary of the Paris Commune. Verso. ISBN 978-1-78168-839-7.
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