Nicola Zamboni

Nicola Zamboni (born 10 May 1943) is an Italian sculptor.

Nicola Zamboni portrayed by Paolo Monti, Bologna 1974

Life

Zamboni was born in Bologna and he was student and assistant of Quinto Ghermandi.[1] After retiring from the Academy of Fine Arts in Bologna in his third year, he went to England in 1968 as a guest of Henry Moore. In 1975 he began teaching at the Academy in Bologna, and from 1997 to 2004 he taught sculpture at the Brera Academy of Arts in Milan, [1][2] where he met Sara Bolzani who became his student and partner.[3]

Zamboni lives in Sala Bolognese in a big farmhouse converted into a studio residence, under the banks of the Samoggia river.[1]

The sculptor portrays the human figure with realistic forms, with a careful search for detail and life-size,[4] in large choral works that require the use of various modelling techniques; these sculptures are made of various materials including ceramics,[5] cement, stone,[6] wood, copper.

He created the large monument in Marzabotto in 1975 in front of the town hall,[7] as well as several monuments commemorating the Bologna massacre in various Italian cities.[8] He also created a small garden of medieval inspiration with allegorical statues in one of the courts of the Cavedone PEEP.

  • Works by Zamboni photographed by Paolo Monti, 1971
  • Experiments with cement
  • Sculpture theatre
  • Sculpture, Villa Pepoli Baciocchi, Bologna

References
  1. Di pieve in pieve: paesi e città del Bolognese fra il Samoggia e il Reno. FMR. 2004. p. 34.
  2. Biografia Nicola Zamboni
  3. "A tu per tu con l'autore: Sara Bolzani". Archived from the original on August 28, 2016. Retrieved September 5, 2016.
  4. Joan Crous, Giovanna Bubbico (2002). Il grande libro della scultura. Giunti Editore. pp. 40–41. ISBN 978-88-440-2455-0.
  5. Giunti Editore, ed. (2004). Ceramica. Manuale completo. pp. 119–. ISBN 978-88-440-2952-4.
  6. FMR, ed. (2004). Di pieve in pieve: paesi e città del Bolognese fra il Samoggia e il Reno. p. 41.
  7. Luciano Galmozzi (1986). Monumenti alla libertà: antifascismo, resistenza e pace nei monumenti italiani dal 1945 al 1985. La Pietra. p. 152.
  8. Cinzia Venturoli (2007). Stragi fra memoria e storia: Piazza Fontana, Piazza della Loggia, la stazione di Bologna. Dal discorso pubblico all'elaborazione didattica. Libreria Bonomo. p. 122.

Further readings
  • Maria Censi (2000). Vanitas vanitatum, et omnia vanitas. Renaissance Editore. pp. 92–.
  • Nadia Bosi; Graziano Campanini (2006). Nicola Zamboni, Sara Bolzani. Skira. ISBN 978-88-6130-022-4.
  • Giovanna Bubbico; Joan Crous (2004). Ceramica. Manuale completo. Giunti Editore. ISBN 978-88-440-2952-4.
  • Giuseppe Cordoni; Giorgio Celli (1998). Arte & città. Aspasia.
  • Joan Crous, Giovanna Bubbico (2002). Il grande libro della scultura. Giunti Editore. ISBN 978-88-440-2455-0.
  • Eugenio Riccòmini (2003). L'arte a Bologna: dalle origini ai giorni nostri. Editoriale srl. p. 333.
  • Graziano Campanini, Pietro Di Natale (ed.), Nicola Zamboni. Le materie dei sogni, Genus Bononiae, Bologna, 2017
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