Mary Fuller (sculptor)

Mary Fuller McChesney (born October 20, 1922) is an American sculptor and art historian. She was a 1975 National Endowment for the Arts fellow.[1]

Mary Fuller McChesney
Born (1922-10-20) October 20, 1922
Wichita, Kansas
OccupationSculptor and art historian

Life

McChesney was born on October 20, 1922,[2] in Wichita, Kansas and grew up in Stockton, California after moving there at age two with her family.[3] She attended the University of California, Berkeley, where she studied philosophy with Paul Marhenke. Leaving before graduating, she became a welder in the Richmond, California shipyard, during World War II, and potter at California Faience, starting a ceramics business of her own, along with her partner Avrum "Bill" Rubenstein: Two Fish Pottery. She held her first solo art show, of paintings and clay sculptures, Artists’ Guild Gallery (an artists’ co-op) in San Francisco.[4] Through her association with The Artists' Guild Gallery, she became acquainted with a wide variety of her contemporary artists, including Hassel Smith, Ed Corbett, Emmy Lou Packard, Robert P. McChesney, George Goya, John Hultbert, Clyfford Still, and Ad Reinhardt.[5]

She married Robert McChesney in December 1949;[6] they lived in the North Bay San Francisco. [7] They moved to Sonoma Mountain in Sonoma County near Petaluma, California in 1952, after living in Mexico for a year, and lived and worked there through Robert McChesney's death in 2008, after which Mary remained there, continuing to work, until the late 2010s. During their time in Guadalajara, Mexico, she began writing seriously, publishing a story in "New Story," and embarking upon writing mystery novels, publishing her first in 1953. She also began writing articles for Art Digest, then for Artforum.[8][9]

She experimented with different sculpture formats, including wood and stone, before developing the cement mixed with vermiculite that she used for the majority of her work. She received her first public art commission for a work in Salinas, followed by her work for San Francisco General Hospital and many subsequent commissions.[10]

The research materials for her books are held at the Archives of American Art.[11]

Artistic Work
  • 1974 “Dos Leones,” San Francisco General Hospital, San Francisco, CA
  • 1975 “Temko Lions,” Frenso Avenue, Berkeley, CA
  • 1975 Children’s Sculpture Park, Salinas Community Center, Salinas, CA
  • 1977 Falcon Andrew Hill High School, San Jose, CA
  • 1978 “Yuba Totem,” Yuba Lion CA Arts Council Award for the Department of Motor Vehicles Building, Yuba City, CA
  • 1992 “Gualala Shakti,” Gualala, CA
  • 1982 “Tot-Lot,” Portsmouth Square, San Francisco, CA
  • 1983 “Olympic Lions,” Squaw Valley, CA
  • 1983 “Stratford Memorial Lion & Bear,” Petaluma Library, Petaluma, CA
  • 1984 “Anshen-Mays Garden Sculptures,” Sausalito, CA
  • 1985 “Earth, Air, Sea,” West Side Pump Station, San Francisco, CA
  • 1988 Random Ridge Winery Gate, Napa, CA
  • 1986 Robinson Totem, Santa Rosa, CA
  • 1987 Playground Sculptures, Los Angeles State Office Bldg., Los Angeles, CA
  • 1989 Rebecca Hirsch Totem, Mill Valley, CA
  • 1993 “Seacliff Park Benches,” Santa Cruz, CA
  • 1994 “Broadway Plaza Totem,” Walnut Creek, CA
  • 1996 “Portsmouth Square Lions,” San Francisco, CA
  • 1997 “Peace Totem,” Cape Cod, MA
  • 1999 Sogin Wall, Occidental, CA
  • 2001 Becky Temko Park, Berkeley, CA
  • 2001 Rainbow Ridge, Reno, CA
  • 2002 Annex Gallery Fountain, Santa Rosa, CA
  • 2003 Petaluma Animal Shelter Sculpture, Petaluma, CA
  • 2019 Three Outdoor Sculptures, Petaluma Library, Petaluma, CA

Writing
  • A Period of Exploration: San Francisco 1945–1950 Oakland Museum, 1973, OCLC 754950


Under pen-names:

  • Rayter, Joe (mysteries)
    • The Victim Was Important New York, Scribner, 1954, OCLC 9526317
    • Asking for Trouble New York : M.S. Mill and W. Morrow, 1955, OCLC 317837980
    • Stab In the Dark New York, M.S. Mill and W. Morrow, 1955, OCLC 2978566
  • Franklin, Melissa
    • Courier of Desire San Diego, Greenleaf Classics, 1969, OCLC 657708966
    • Murder In Her Thighs San Diego, Corinth Publications, 1969, OCLC 666424742
    • Nymphs, Horses, and Athletes New York, Ophelia Press, 1979, OCLC 157135
    • Putting on the Dog San Diego, Greenleaf Classics, 1971, OCLC 874768193

References
  1. "Mary Fuller – Statement/Biography". Retrieved March 20, 2016.
  2. "Mary McChesney Fuller (1922 – )". askart. Retrieved December 17, 2013.
  3. "Oral history interview with Mary Fuller McChesney, 1994 Sept. 28". Archives of American Art. Retrieved March 30, 2022.
  4. "Oral history interview with Mary Fuller McChesney, 1994 Sept. 28". Archives of American Art. Retrieved March 30, 2022.
  5. "Oral history interview with Mary Fuller McChesney, 1994 Sept. 28". Archives of American Art. Retrieved March 30, 2022.
  6. "It's All About the Apple, Or is it? – Native Visions". Retrieved March 20, 2016.
  7. M.V. Wood (May 31, 2002). "It's a colorful life / Robert McChesney, Mary Fuller celebrate art and their marriage with a joint show". The San Francisco Chronicle.
  8. "Artists Robert and Mary Fuller McChesney – Fifty Years on Sonoma Mountain – The Arts in the North Bay, CA". Retrieved March 20, 2016.
  9. "Oral history interview with Mary Fuller McChesney, 1994 Sept. 28". Archives of American Art. Retrieved March 30, 2022.
  10. "Oral history interview with Mary Fuller McChesney, 1994 Sept. 28". Archives of American Art. Retrieved March 30, 2022.
  11. Archives of American Art. "Summary of the Mary Fuller McChesney papers, 1949–2011 – Archives of American Art, Smithsonian Institution". Retrieved March 20, 2016.
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