Bad Day at Black Rock

Bad Day at Black Rock is a 1955 American neo-Western film directed by John Sturges. It stars Spencer Tracy and Robert Ryan with support from Anne Francis, Dean Jagger, Walter Brennan, John Ericson, Ernest Borgnine and Lee Marvin in a small cast that includes three past (Brennan, Jagger and Tracy) and two future (Borgnine and Marvin) Academy Award winners; one past Academy Award nominee (Ryan); and one future Golden Globe winner (Francis). The film is a crime drama set in 1945 that contains elements of the revisionist Western genre.[3] A one-armed stranger (Tracy) comes to a small desert town and uncovers an evil secret that has corrupted the entire community.[3]

For the Supernatural episode, see Bad Day at Black Rock (Supernatural).

Bad Day at Black Rock
Theatrical release poster
Directed byJohn Sturges
Screenplay byDon McGuire
Millard Kaufman
Based on"Bad Time at Honda"
1947 short story in The American Magazine
by Howard Breslin
Produced byDore Schary
StarringSpencer Tracy
Robert Ryan
Anne Francis
Dean Jagger
Walter Brennan
John Ericson
Ernest Borgnine
Lee Marvin
CinematographyWilliam C. Mellor
Edited byNewell P. Kimlin
Music byAndré Previn
Distributed byMetro-Goldwyn-Mayer
Release date
  • January 7, 1955 (1955-01-07) (United States)
Running time
81 minutes
CountryUnited States
LanguageEnglish
Budget$1,288,000[1][2]
Box office$3,788,000[1]

The film was adapted by Don McGuire and Millard Kaufman from the short story "Bad Time at Honda" by Howard Breslin.[4][5][6] The original story had appeared in The American Magazine in January 1947, with full-color illustrations by Robert Fawcett.[7] In 2018, the film was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant".[8][9]

Plot
Spencer Tracy and John Ericson in the hotel

In late 1945, one-armed John J. Macreedy gets off a train at the isolated Californian desert hamlet of Black Rock. The residents immediately appear suspicious, as this is the first time in four years that the train has stopped there. After Macreedy states he is looking for a man named Komoko, several of the local men become hostile. Hastings, the telegraph agent, tells him there are no cabs; the hotel desk clerk, Pete Wirth, claims he has no vacant rooms. Hector David threatens him. Later, Reno Smith informs Macreedy that Komoko, a Japanese-American, was interned during World War II.

Macreedy visits the local sheriff, Tim Horn, but the alcoholic lawman is of no help. The veterinarian and undertaker, Doc Velie, advises Macreedy to leave town immediately, but lets slip that Komoko is dead. Pete's sister Liz rents Macreedy a Jeep. He drives to nearby Adobe Flat, where he finds a homestead burned to the ground, and wildflowers growing nearby. As Macreedy drives back, Coley Trimble tries to run him off the road.

Macreedy tries to leave town, but Liz, having been confronted by her lover Smith earlier, refuses to rent him the Jeep again. When Smith asks about his lost left arm, Macreedy discloses that he lost it fighting in Italy. Macreedy says the wildflowers at the Komoko place lead him to suspect that a body is buried there. Smith reveals that he is virulently anti-Japanese; he tried to enlist the day after the attack on Pearl Harbor, but failed the physical.

Macreedy tries to telephone the state police, but Pete refuses to put the call through. Doc Velie admits that something terrible happened four years ago, but Smith has everyone too terrified to speak up. Velie offers Macreedy his old hearse to leave town, but Hector disables it. Macreedy writes a telegram to the state police and gives it to Hastings. Trimble provokes a fight, but Macreedy, though disabled, easily beats him up, using martial arts. Macreedy tells Smith that he knows Smith has killed Komoko and involved others.

In the hotel lobby, Hastings arrives and tries to give Smith a piece of paper, but Macreedy snatches it away. It is his unsent telegram. Macreedy and Velie inform him he has broken the law and demand that Horn do something. When Horn tries, Smith yanks the sheriff's badge off Horn's shirt and pins it on Hector, who casually tears up the telegram.

After Smith and Hector leave, Macreedy reveals that the loss of his arm had left him wallowing in self-pity, but Trimble's attempt to kill him has reinvigorated him. Macreedy finally reveals that Komoko's son died in combat (with the 442nd Infantry Regiment) while saving his life. Macreedy came to town intending to give the man's medal to Komoko.

Macreedy learns that the elder Komoko had leased some farmland from Smith, who was sure there was no water. Komoko dug a well and found water. After Smith was rejected for military service, he and the other men got to drinking, then decided to scare Komoko. The old man barricaded himself inside his home, but the men set it on fire. When Komoko emerged ablaze, Smith shot and killed him.

Pete, Liz, and Doc Velie try to help Macreedy escape under cover of darkness. Hector is standing guard outside the hotel; Pete lures him into the office, where Doc Velie knocks him unconscious. Liz drives Macreedy out of town, but stops at Adobe Flat. Macreedy realizes he has been set up. When Smith starts shooting at him, Macreedy shelters behind the Jeep. Liz rushes to Smith despite Macreedy's warning. Smith tells her that she has to die along with the rest of his accomplices. Smith shoots her in the back as she flees. Macreedy finds a bottle and fills it with gas from the Jeep. When Smith climbs down for a better shot, Macreedy throws the Molotov cocktail, setting Smith on fire.

Macreedy drives back to town with Smith and Liz's body. The state police are called in and several arrests are made. As Macreedy is leaving town, Doc Velie requests Komoko's medal to help Black Rock heal. Macreedy gives it to him just before boarding the train.

Cast

Production
Robert Fawcett illustrated The American Magazine printing of "Bad Time at Honda", a 1947 short story by Howard Breslin that was adapted for the film.

Bad Day at Black Rock originated as a short story published by The American Magazine entitled "Bad Time at Honda" by Howard Breslin in 1947.[10] It was adapted into a script by Don McGuire and pitched to MGM production head Dore Schary, who was known for championing films that addressed social problems. Schary had previously produced Go for Broke! (1951), based on the exploits of the segregated Japanese-American 442nd RCT.[10]

Schary acquired the film rights for MGM, but he brought in Millard Kaufman to rewrite McGuire's script. The producers were worried about the title because "Bad Time at Honda" was similar to Hondo, recently made by John Wayne. Kaufman suggested changing the name of the town to Black Rock, after a real town in Arizona. Kaufman finished the script in the fall of 1953.[10] Although Spencer Tracy was 55 and much older than the platoon leader in the original story, Schary wanted Tracy to play the lead role. John Sturges was hired as director in June 1954 and shooting began the following month near Lone Pine, California, where the small town set had been quickly constructed.[10] Just before shooting began, an indecisive Tracy tried to back out of the picture. Schary made clear that he was willing to sue the actor if he quit the film.[11] Budget for the film was $1.3 million and it was shot in color using Cinemascope as Schary thought widescreen would emphasise the menace of the isolated town. Temperatures on location were over 100 degrees. On August 9, the cast and crew moved to the studio lot in Culver City. André Previn was hired to write the score.[10]

Preview audiences did not like the original opening sequence. A revised one, showing the speeding train rushing at the camera, replaced it. The shot was taken from a helicopter as it flew away from the moving train. The film was then run in reverse to create the opening shot. Southern Pacific provided the EMD F7 diesel-electric locomotive and passenger cars in Coast Daylight livery. Southern Pacific charged MGM US$5,500 and the cost of 265 round-trip passenger tickets for the charter to Lone Pine, about $9.00 each for a coach seat at the time.[12]

The film's premiere was held at Loew's 72nd Street Theater in New York City on December 8, 1954. It went on national release early in 1955.[10] According to MGM records, the film earned $1,966,000 in the US and Canada and $1,822,000 elsewhere, making the studio a profit of $947,000.[1]

Reception

Critical response

Reviews were almost universally positive with, for example, John O'Hara in Collier's hailing it as "one of the finest motion pictures ever made".[10] Many reviewers noted the film's Western-like elements, comparing it favorably with High Noon and cinematographer William C. Mellor was widely praised for his use of widescreen.[10]

When Bad Day at Black Rock was released, film critic Bosley Crowther of the New York Times wrote: "Slowly, through a process of guarded discourse, which director John Sturges has built up by patient, methodical pacing of his almost completely male cast, an eerie light begins to glimmer ... Quite as interesting as the drama, which smacks of being contrived, are the types of masculine creatures paraded in this film. Mr Tracy is sturdy and laconic as a war veteran with a lame arm (which does not hamper him, however, in fighting judo style). Mr Ryan is angular and vicious as the uneasy king-pin of the town, and Walter Brennan is cryptic and caustic as the local mortician with a streak of spunk. Ernest Borgnine as a pot-bellied bully (he was Sgt "Fatso" Judson in From Here to Eternity), Dean Jagger as a rum-guzzling sheriff, Lee Marvin as a dim-witted tough guy, John Ericson as a nervous hotel clerk and Russell Collins as a station-master are all good, too".[13] At the end of 1955, the New York Times included the film in its best ten of the year.[14]

Despite a storyline she called "crudely melodramatic", Pauline Kael heaped praise on the film for its direction and cinematography, calling it "a very superior example of motion picture craftsmanship".[15] Variety magazine's reviewer wrote: "Considerable excitement is whipped up in this suspense drama, and fans who go for tight action will find it entirely satisfactory. Besides telling a yarn of tense suspense, the picture is concerned with a social message on civic complacency".[16] On the review aggregator website Rotten Tomatoes, 97% of 33 critics' reviews are positive, with an average rating of 8.2/10.[17]

Accolades

Bad Day at Black Rock was nominated for three Academy Awards at the 1956 ceremony:[18] Tracy for best actor, Sturges for best director, and Kaufman for best screenplay. Tracy won the Cannes Film Festival Award for Best Actor at the 1955 Cannes Film Festival.[19]

Award Category Nominee(s) Result
Academy Awards[18] Best Director John Sturges Nominated
Best Actor Spencer Tracy Nominated
Best Screenplay Millard Kaufman Nominated
Boston Society of Film Critics Awards[20] Special Commendation Won
British Academy Film Awards[21] Best Film from any Source Nominated
United Nations Award Nominated
Cannes Film Festival[22] Palme d'Or John Sturges Nominated
Best Actor Spencer Tracy Won[note 1]
Directors Guild of America Awards[23] Outstanding Directorial Achievement in Motion Pictures John Sturges Nominated
National Board of Review Awards[24] Top Ten Films 4th Place
National Film Preservation Board[8][9] National Film Registry Inducted
Writers Guild of America Awards[25] Best Written American Drama Millard Kaufman Nominated

Notes
  1. Tied with the ensemble cast of A Big Family.

References
  1. The Eddie Mannix Ledger, Los Angeles: Margaret Herrick Library, Center for Motion Picture Study.
  2. Glenn Lovell, Escape Artist: The Life and Films of John Sturges, University of Wisconsin Press, 2008 p. 97
  3. Newman 1990, p. 198.
  4. "Metro to Stress Big-Budget Films". New York Times. August 7, 1953.
  5. "Metro Eyes Tracy For Western Lead". New York Times. August 13, 1953.
  6. "Author Breslin Succumbs at 51". Los Angeles Times. May 31, 1964.
  7. Breslin, Howard (January 1947). "Bad Time at Honda". The American Magazine. 143: 40.
  8. "Complete National Film Registry Listing". Library of Congress. Retrieved September 16, 2020.
  9. "National Film Registry Turns 30". Library of Congress. Retrieved September 16, 2020.
  10. Niiya, Brian. "Bad Day at Black Rock". Densho Encyclopedia. Retrieved March 27, 2020.
  11. Andersen 1997, p. 243.
  12. Grace, Michael (August 12, 2018). "MGM's Oscar winning Bad Day at Black Rock features the Southern Pacific's Daylight". Cruiseline History. Retrieved March 27, 2020.
  13. Crowther, Bosley (February 2, 1955). "Film Review: Bad Day at Black Rock". The New York Times. Retrieved March 18, 2008.
  14. Crowther, Bosley (December 25, 1955). "Best Films of 1955; Critic Has Difficulty Sifting Top Screen Achievements of the Year". New York Times. Retrieved February 13, 2022.
  15. Kael, Pauline (2011) [1991]. 5001 Nights at the Movies. New York City: Henry Holt and Co. pp. 46–47. ISBN 978-12-50033-57-4.
  16. "Bad Day at Black Rock". Film review. Variety. 1955.
  17. "Bad Day at Black Rock". Rotten Tomatoes. Fandango Media. Retrieved February 13, 2022.
  18. "The 28th Academy Awards (1956) Nominees and Winners". Oscars.org (Academy of Motion Picture Arts and Sciences). Archived from the original on July 6, 2011. Retrieved August 20, 2011.
  19. "Awards 1955: All Awards". festival-cannes.fr. Archived from the original on November 1, 2013.
  20. "BSFC Winners: 2000s". Boston Society of Film Critics. Retrieved July 5, 2021.
  21. "BAFTA Awards: Film in 1956". BAFTA. 1956. Retrieved September 16, 2016.
  22. "Festival de Cannes: Bad Day at Black Rock". festival-cannes.com. Archived from the original on August 22, 2011. Retrieved January 31, 2009.
  23. "8th DGA Awards". Directors Guild of America Awards. Retrieved July 5, 2021.
  24. "1955 Award Winners". National Board of Review. Retrieved July 5, 2021.
  25. "Awards Winners". Writers Guild of America. Archived from the original on December 5, 2012. Retrieved June 6, 2010.

Bibliography
  • Andersen, Christopher P. (1997). An Affair to Remember. New York City: William Morrow and Co. ISBN 978-06-88153-11-3.
  • Newman, Kim (1990). Wild West Movies. London: Bloomsbury Publishing Ltd. ISBN 978-07-47507-47-5.
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