Asylum (1972 horror film)

Asylum (also known as House of Crazies in subsequent US releases) is a 1972 British anthology horror film made by Amicus Productions.[1] The film was directed by Roy Ward Baker and produced by Milton Subotsky. Robert Bloch wrote the script, adapting four of his own short stories.[2]

Asylum
Theatrical release poster
Directed byRoy Ward Baker
Written byRobert Bloch
Produced byMax Rosenberg
Milton Subotsky
Starring
CinematographyDenys N. Coop
Edited byPeter Tanner
Music byDouglas Gamley
Production
company
Distributed byCinema International Corporation
Release date
17 November 1972
Running time
88 minutes
CountryUnited Kingdom
LanguageEnglish

Baker had considerable experience as a director of horror films, as he had tackled Quatermass and the Pit and Scars of Dracula. Bloch had written the novel Psycho, on which the film directed by Alfred Hitchcock was based.

Asylum is a horror anthology film, one of several produced by Amicus during the 1960s and 1970s. Others included Dr. Terror's House of Horrors, Torture Garden, Tales from the Crypt, The House That Dripped Blood, The Vault of Horror, and From Beyond the Grave.

Shot in April 1972, the film was edited and set for release 15 weeks after the final day of shooting, premièring in July 1972 in the UK. The film had its North American début on 17 November 1972.

Plot (including cast list)

Framing Story

Dr Martin arrives at a secluded asylum "for the incurably insane" to be interviewed for a job by the wheelchair-bound, authoritarian Lionel Rutherford. Rutherford explains that he owes his current incapacitation to an attack by an inmate.

Rutherford reveals his unorthodox plan to determine Martin's suitability for the post of chief doctor. One of the asylum's current inmates is Dr B. Starr, the former head of the asylum, who underwent a complete mental breakdown. Martin is to interview the inmates of the asylum to deduce which one is Dr Starr. If his choice is correct, Rutherford will "consider" him for the post.

The attendant Max Reynolds admits Martin through the security door to the inmates' solitary confinement cells, where he interviews each in turn.

This story is loosely based on Bloch's short story "A Home Away from Home," first published in Alfred Hitchcock's Mystery Magazine and adapted for television on The Alfred Hitchcock Hour.

"Frozen Fear"

Bonnie recounts the plot to murder Ruth, the wealthy wife of her lover Walter. Ruth is a possessive heiress who studies voodoo. This results in horrific repercussions after Ruth's dead body has been dismembered and wrapped in individual parcels.

"The Weird Tailor"

Bruno recounts how poverty and impending eviction forced him to accept the unusual request of a Mr Smith to produce an elaborate suit of clothing from a mysterious, scintillating fabric that must be sewn only after midnight.

After learning what the suit will be used for (it will reanimate Mr Smith's deceased son) and that Mr Smith has no money to pay the tailor, Bruno fights Smith and accidentally kills him. He returns with the unsold suit. His wife Anna uses the suit to adorn their store mannequin, and its true powers are revealed when the mannequin comes to life.

This story was also earlier adapted as an episode of the Boris Karloff-hosted television series Thriller ("The Weird Tailor", Season 2, Episode 4).[3]

"Lucy Comes To Stay"

The ebullient Barbara informs Martin she has been in an asylum before. After her release from that facility, she is closely monitored at home by her brother George and a nurse, Miss Higgins. This frustrated existence is relieved when her mischievous friend Lucy comes to visit.

"Mannequins of Horror"

Martin interviews Dr Byron, who holds Rutherford in contempt. Byron explains he is working towards soul transference with a small automaton whose head is a likeness of his own, showing Martin several earlier models. Byron plans to "will" his mannequin to life. He explains the interior of the robot is organic, a miniaturised version of his own viscera. Martin concludes his interview, and Max shows him downstairs to deliver his judgment to Rutherford.

This story was later loosely adapted for the Monsters episode "Mannequins of Horror".

  • Herbert Lom – Dr Byron
  • Sylvia Marriott – Asylum head nurse
  • Frank Forsyth – Asylum gatekeeper
  • Tony Wall – New houseman

Epilogue

Byron successfully brings his mannequin to life; it makes its way to Rutherford's office and kills him with a scalpel. Martin destroys the mannequin, which results in the death of Dr Byron, and seeks help. Dr Starr's true identity is revealed: it is "Max Reynolds", who had murdered the real Reynolds two days before. He then strangles Martin to death.

Sometime later, a new candidate for the job arrives and is met by Dr Starr, who escorts him into the asylum.

Release

In the UK, Asylum was one of Amicus' more popular films. Despite this, it was the last movie Bloch would write for the studio.[4]

Critical reception

Allmovie's review of the film is favourable: "Asylum is a textbook example of the skill that Amicus Productions showed for producing entertaining horror anthology films."[5]

Accolades

Year Award / Film Festival Category Recipient(s) Result
1973 2nd French Fantastic Cinema Convention Golden Licorn (Best Film) Asylum Won

Soundtrack

Though Douglas Gamley is credited as having composed the music for this film, the majority of the score is drawn from public domain pieces by Modest Mussorgsky, in particular Night on Bald Mountain[6] (heard over the opening and closing credits). Selections from his Pictures at an Exhibition are also used: "Gnomus" is heard over both an early display of artworks depicting lunatics and past medical practices to deal with the insane, and during the sequence of Byron's mannequin coming to life and making its way downstairs. The booming crescendo of "The Hut on Hen's Legs" is heard over the sequence where the tailor's dummy is animated and rampages in Bruno's shop.

Home media releases

After years of releases sourced from degraded 35mm and 16mm prints (the 16mm prints were used for television broadcast), the film finally received a deluxe DVD release in 2006, from Dark Sky Films. This DVD includes numerous special features, including an audio commentary by director Baker and cameraman Neil Binney; "Inside the Fear Factory", a featurette about Amicus Productions; cast and crew bios; liner notes; trailers; and a still photo gallery. The film was remastered from a pristine, 35mm print. In 2017, Severin Films rereleased Asylum on video, including many of the extras from the Dark Sky Films DVD. New special features were added as well, including an interview with Fiona Subotsky, the producer's widow, who discusses his life, and the history of Amicus.

References

  1. "Asylum (1972)". British horror films. Retrieved 31 May 2012.
  2. "ASYLUM". film4. Retrieved 31 May 2012.
  3. Warren, Alan (2004). This Is a Thriller: An Episode Guide, History and Analysis of the Classic 1960s Television Series. McFarland & Company. p. 16. ISBN 9780786419692.
  4. Ed. Allan Bryce, Amicus: The Studio That Dripped Blood, Stray Cat Publishing, 2000 p 94-101
  5. Donald Guarisco. "Asylum (1972)". Allmovie. Retrieved 6 July 2012.
  6. Kipp, Jeremiah (19 June 2006). "Asylum". Slant Magazine. Retrieved 22 October 2009.
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