Adele Bloch-Bauer
Adele Bloch-Bauer (née Adele Bauer, August 9, 1881–January 24, 1925) was a Viennese socialite, salon hostess, and patron of the arts from Austria-Hungary. She is most well known for being the subject of two of artist Gustav Klimt's paintings: Portrait of Adele Bloch-Bauer I and Portrait of Adele Bloch-Bauer II.
Adele Bloch-Bauer | |
---|---|
Born | Adele Bauer August 9, 1881 Vienna, Austria-Hungary |
Died | January 24, 1925 43) | (aged
Nationality | Austria-Hungary |
Relatives | Maria Altmann (niece) |
Biography
Adele Bauer was born in Vienna, Austria-Hungary, on August 9, 1881 to Moritz Bauer and Jeannette Bauer (née Honig).[1] Her father was a railway and bank director.[2] She met her future husband, Ferdinand Bloch, at the wedding of her sister Therese to Ferdinand's brother Gustav Bloch in 1898.[3] Adele and Ferdinand became engaged the next year, followed by marriage in Vienna's Stadttempel on December 19, 1899.[3] Ferdinand was a wealthy businessman who owned a sugar refinery in Bruck an der Mur, Austria.[4] In 1903, he commissioned the artist Gustav Klimt to paint a portrait of his wife, which was completed in 1907 and became the Portrait of Adele Bloch-Bauer I. Kimberly Bradley of the BBC wrote the portrait transformed Bloch-Bauer into an "icon".[2] In 1912, Bloch-Bauer again sat for Klimt for a portrait, which became the Portrait of Adele Bloch-Bauer II.[5] In sitting for Klimt twice, she is the only verified person to be painted by the artist twice in full length.[5] Bloch-Bauer became a Viennese socialite, regularly hosting artists and authors in her salon. Among the many people she hosted were conductors Gustav Mahler and Richard Strauss.[7] She also socialized with royalty, including Prince Adolph Schwarzenberg.[8]
Maria Altmann, the niece of Bloch-Bauer, stated:
[Bloch-Bauer was a] rather cold, intellectual woman who was very politically aware and became a socialist. She wasn't happy. It was an arranged marriage but she was childless, after two miscarriages and the death of a baby. I remember her as extremely elegant, tall, dark and thin. She always wore a slinky white dress and used a long, gold cigarette holder.[2]
In 1925, Bloch-Bauer died of meningitis.[9] She was the subject of the 2009 children's book Adorable Adele by Peter Stephan Jungk.[10]
References
- Elana Shapira (June 23, 2021). "Adele Bloch-Bauer". Jewish Women's Archive. The Shalvi/Hyman Encyclopedia of Jewish Women. Archived from the original on March 2, 2019. Retrieved January 14, 2022.
- Bradley, Kimberly (September 20, 2016). "The mysterious muse of Gustav Klimt". BBC. Archived from the original on December 20, 2021. Retrieved January 20, 2022.
- "Gustav Klimt and Adele Bloch-Bauer: The Woman in Gold Historical Timeline" (PDF). Neue Galerie. Retrieved January 14, 2022.
- Glaberson, William (April 14, 2005). "For Betrayal by Swiss Bank and Nazis, $21 Million". The New York Times. Archived from the original on September 25, 2021. Retrieved January 14, 2022.
- Cascone, Sarah (June 30, 2016). "Gustav Klimt's Adele Bloch-Bauer Paintings to Be Reunited at Neue Galerie". Artnet. Retrieved January 20, 2022.
- Rusu, Ruxi (November 11, 2021). "Republic of Austria vs. Altmann: Klimt Goes to Court!". Daily Art Magazine. Archived from the original on November 11, 2021. Retrieved January 20, 2022.
- Anne Marie, O'Connor (2015). The Lady in Gold. Knopf. p. 44. ISBN 9781101873120.
- Cohen, Patricia (March 30, 2015). "The Story Behind 'Woman in Gold': Nazi Art Thieves and One Paintings Return". The New York Times. Archived from the original on August 27, 2021. Retrieved January 20, 2022.
- Jungk, Peter Stephan (2009). Adorable Adele. Neue Galerie New York. ISBN 9781931794183.